And you were complaining about people putting words in your mouth.
As for you statement which you seem to think I implied. I dont' believe I said anything of the sort. Actually I don't understand how you came up with photoshop.
I believe I was calling into question your implied thought that true masters are only masters if they study Anatomy, perspective, scale, composition, contrast, and line weight, etc. I was questioning you so you would put your thought in a better way than you had Nick.
And all I am saying is you are confusing story structure elements with story telling methods. The telling is like a recipe. For cinema the recipe is different from the comic book recipe. There are other things that come into play in cinema that you have not studied yet. And having not studied them you only see what you know at the moment. I will not argue there are problems with the story, but not to the extent you are arguing. Why? Because I understand that there other things that come into play that are hindering the untrained eye from see the full story. And it is those other things, like editing and timing, that are more of the problem than the story. Because they limited how much of the story you see and therefore can't make a definitive of what is really wrong with the story.
You just did question that. And I wasn't the one who claimed to be. I believe it may have been warhorse that made that claim in another thread. I claim to be a professional artist. Whether one is a really good artist is subjective.
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